Guest Post: Do Bands and Musicians Understand What is Happening Online Right Now?

The guest post below was written by my friend, Greg Rollett of Endagon Innovations. Greg writes regularly on Gen-Y Rock Stars, a Social Music Marketing Blog and Resource for indie musicians. To get a free copy of his Social Media Sites for Musicians and the Rock Star Tool Kit, go here. If you'd like to reach Greg directly, please send him an email (rollettmarketing [at] gmail [dot] com).

(confused music photo by Adam Schilling)

Do Bands and Musicians Understand What is Happening Online Right Now?
I ask myself this question everyday when I see all of the small companies, corporations, brands and innovators taking advantage of tools, resources and conversations that are happening every second of every day online. I get scared when I see musicians still parking their homepage on Myspace, blasting out self promotions with no regards to getting real fans to have conversations with and not accepting feedback from that promotion.

We can start with Twitter, since everyone from the president to late night newbie Jimmy Fallon to, even, Facebook is taking notice of what is happening on this platform. Every second, there are thousands of links being shared, videos being passed, questions being asked and answered and music being streamed directly because of Twitter. In the music world there has been uproar of music related services and platforms devoted to heighten the music experience of Twitter. Roll call please:

Twisten
TinySong
Blip.fm
Tweettj
Song.ly
playTwitter
Twiturm
TwittyTunes (FireFox Plugin)

Then there are the Music Marketing people providing resources for how musicians can leverage twitter:

• Bob Baker’s Music Twitter Resources
• Ariel’s Publicity Twitter Roadmap

And don’t forget the ridiculously long crowd-sourced list of musicians on Twitter

• Musicians On Twitter – (Google spreadsheet)

But did you know that? Do bands see what is going on here?
Technology shrank physical sales and transformed us into a digital world. If you are willing to accept that fact, and embrace the tools, tactics and hard work that it takes to make these things work, there is a great chance that your music can be in more iPods, more YouTube channels, more blogs, more playlists, more countries, more options that ever before.

The key to getting the word out to musicians is to prove that this stuff we are preaching actually works. The reason Myspace friend adders/blasters/spammers were extremely popular and ultimately helped to ruin the site was because they worked. It was a numbers game, reach enough people and a few become fans.

The reality is that numbers were inflated, play counts skyrocketed and bands felt like the king of the mountain. Then you booked a show off your Myspace stats, invited the local music industry players who were also impressed, and you played an unrehearsed live show to the bartenders, wait staff and your frat buddies.

The reality is that developing fan relationships is the key to all the tools and websites out there today. The name of the game has become, how many people can I connect with, on a personal level?

• Can you broadcast your show via UStream and connect with fans that may never get to see you live?
• Can you throw a Meebo widget on your blog and talk to fans every Monday night for an hour about life, music, hobbies and pet peeves?
• Can you take photos at your shows with real fans, post them on Flickr, Facebook and Myspace, tag them and get the fans excited to tell their friends about the night? Can you do it the next morning and not wait 3 weeks to get around to it?
• Can you write a blog post so inspiring that 20 of your fans retweet it, their friends see it and pass it on and all of a sudden you get new traffic from new fans?
• Can you remember to send your monthly newsletter out every month? Can you use Champion Sound or FanBridge to collect emails on your websites and at your shows to grow your fan base?
• Can you look at your band's analytics to see how popular your music is, with whom, in what social networks, gauge where your fans are coming from, etc.?
• Can you create products on demand? Special shirts for special shows? Audiolife can do this for you, instantly. What about a lyrics book or a tour journal? Can you publish that as an eBook or physical book that someone can print on demand (think Lulu)?

The idea that musicians can now create content, have their fans talk about it directly to the band, and then have the band comment back while measuring the process and results is something that is so inspiring, it’s hard to find a reason to argue against it. Yes, it takes time, it might take some money, but this is your life, your business and your future.

Do you understand what is happening? Bands, do you get it?

Rock Stars Tool Kit

Greg Rollett has published a follow-up to the 100 Social Media Resources for Musicians called Gen-Y Rock Stars Tool Kit. Essentially, it's a scaled down one page check-list of the most important things you should be doing to market and promote your music, garnered from his previous report. To get your FREE copy, just go here, and provide your email address and Greg will send you a link to the file.

5 Posts on Indie Music Tech from 2008 for Independent Artists

Below are 5 posts I picked from Indie Music Tech during the past year that offer some helpful insight and information for independent artists, and they're worth reading if you missed them (listed chronologically):

• Musician Introductions: Bringing Back the MC (January 30, 2008)
• Music Videos as Viral Marketing: Lessons Learned (April 10, 2008)
• Calling Attention to your Music by Derek Sivers (May 22, 2008)
• The Advance Guard's take on DIY, Social Media, Marketing, Podcasts and more (July 21, 2008)
• 100 Social Media Resources for Musicians (December 12, 2008)

The Advance Guard's take on DIY, Social Media, Marketing, Podcasts and more

Recently, The Advance Guard worked with scores of key music bloggers to promote the New American Music Union, a music festival sponsored by  American Eagle Outfitters (our ticket give away was here). I thought this was a clever way of promoting an event, so I reached out to C.C. Chapman, Co-Founder of The Advance Guard and founder of Accident Hash, a Boston based music podshow to get his thoughts on DIY marketing for indie musicians and bands.

Here's what C.C. had to say:

Question: 1) With all of the free DIY marketing/promotional content, and music being generated by indie artists, what are some examples of online tactics an artist and/or band can deploy to rise above the noise?

While the phrase "word of mouth" gets thrown around constantly these days, when it comes to music I still think it is the #1 way people discover new music. The key thing is to leverage your fan base whenever possible. Give them tools to help spread the word. Constantly contact them and talk WITH them and never AT them. Encourage them to share and reward the really passionate ones.

Podcasts and other online media are other great ways as well. Work with content producers so that they know they can use your music. If your song gets played in a video that becomes popular that can help you out in amazing ways. Always ask for links and attribution so that people can find you and get more.

And insure you have a solid website with contact information and lots of links on it. You want it to be as easy as possible for people to learn more about you and instantly listen to the music. Don't make it hard or required to purchase a track in order for someone to check out your music.

Question: 2) Are paid music promotions via Facebook or Izea for example, an effective way at marketing music? If so, why? If not, why? What are the pros and cons? What are the challenges?

It depends on if the promotion is a good one or not. I recently saw an ad pop up on Facebook for an indie artist. I'm assuming it showed up based on my self identified favorite artists. I clicked on it and ended up listening to a couple of tracks. It wasn't right for me, but I bet it will be for some others.

Music is a tough thing because while everyone loves it, you never know who is going to love what you are promoting. So you have to cast a very wide net and a focused one at the same time. What I mean is that you obviously want to focus on the people or groups that you think would be most interested in what you are promoting. But, then you've also got to cast it out to a more general audience as well because you don't know what might click with someone.

The thing to keep in mind is that you can have the biggest budget in the world and if the program isn't solid and appropriate it will fail. People have to realize that throwing money at something doesn't automatically make it a success. Take the time up front to really plan it out and realistically think about the goals and outcomes.

Every day more people are competing for all of our attention online and you've got to figure out a way to rise above the rest to get noticed.

Question: 3) Most indie artists will connect with anyone on MySpace, Facebook, Friendster, etc. to promote their music, regardless of who is requesting the connection. Is the quantity of connections proving to be a more effective marketing strategy than the quality of connections?

Quality is always better then quantity. But, with that being said I also think that anyone that friends a band on any social network site they should gladly accept. You never know who might be a connection to someone else or how that individual may be able to help them. Connect with them and then get to know them if possible. If they are just a bot or a spammer then get rid of them and move on, but perhaps they have a skill, know someone at a club or can provide the artist with something else. Why in the world would you want to miss that?

Question: 4) In your opinion, what are the top 5 social media and technology tools a band must not only have in its marketing toolkit, but master as well?

1. Ego Searches - Learn how to put yourself into Technorati, Summize (now owned by Twitter) and Google Alerts and how to get those every day so you can stay on top of who is talking about you, what they are saying and how you can connect with them.

2. Video - People love to consume video. Even if it is rough footage of your practice sessions or grainy footage from the crowd at a show. It doesn't matter. Figure out how to get video footage up on the web and on multiple systems so people can find it and consume it.

3. Podcasting - Become familiar with the music podcasting community and how you can get your music out there for people to play. Become friends with podcasters or engage with a digital PR firm that specializes in music and work with them to get your music out there and played on the variety of shows that exist.

4. Marketing - YOU are your biggest fan and thus have to be your marketing department as well. Set up an e-mail newsletter and encourage fans to sign up at shows. Put your URL on everything you do from t-shirts, to posters, to every e-mail you send out. Embrace the web fully and when you are curious if a new service is right for you ask your fans or someone you trust.

5. Communications - Don't let fan letters go unanswered. Take some time every day to engage with your fan base wherever they roam. Reply to e-mails, comment on their walls and answer their questions. This will build a deeper connection with them.

Many thanks C.C. for your time and great feedback! The Advance Guard is focused on smartly and strategically creating radical marketing through branded entertainment, social media and emerging technology. It's led by award-winning Podcaster C.C. Chapman, and digital advertising veteran, Steve Coulson. Clients include Verizon FiOS, Coca-Cola, HBO, mDialog and American Eagle Outfitters. For more information, please visit their web site at: http://theadvanceguard.com/

Calling Attention to your Music by Derek Sivers

Yesterday, Derek Sivers released his new FREE e-book for indie musicians, Calling Attention to your Music. Derek wrote it in the hopes of helping every musician sell more music, win more fans, and have more doors opened, enabling musicians to make a living making music. Topics include:

• how to get mentioned in Rolling Stone
• why persistence is polite
• how to sell an average of 5 CDs per order
• why marketing costs nothing
• how two curious words can turn your career around
• the biggest mistake most musicians make

And much, much more. Derek intentionally made the book non-genre-specific, so the same tips apply to country, klezmer, and classical. This is a must read for any indie artist and you can download it or read it online here.

Hats off to Derek for the time and devotion creating this work. He's the tireless champion for indie musicians, and his drive to help the entire community never ceases to amaze me. Thanks for the ebook and all you do Derek!

Musician Introductions: Bringing Back the MC

What happened to the practice of introducing bands and musicians before their live performances? In the 50s, 60s and 70s it was common practice, from Buddy Holly to the Who. The introduction was used then to build excitement between a band and their audience, helping to galvanize a high energy show. And typically, the introductions were given by either a local MC, or someone that traveled with the band.

While many legendary artists are still introduced at their shows, like B.B. King and Eric Clapton, the practice for the most part has vanished from the indie music scene. Why? A good stage introduction can not only bolster your live performance, but it also helps to cement your professionalism and dedication to your music. It can also be a strong calling card, something for your audience to remember you by. And let's face it, the first few minutes on stage sets the tone for the rest of the show, and with the right introduction, that first impression can help make the difference between a good night and a great night!

Here's one example of a great introduction. It's for the Greg Hester show by the legendary MC for James Brown, Danny Ray at The Mission in Augusta, GA this past New Year's Eve <Greg_Hester_intro_Danny_Ray12312007.mp3>. While it's going to be hard to find someone like Danny Ray to introduce your band, you get the point. Think about your style, sound, attitude, personality, etc. and find someone that will compliment you. Who knows, you may just discover someone that will become the voice of your band, like Bill Graham was for the Dead.

Advice for Indie Musicians, Part 2:

Below are some brief video interviews from part 2 of my two part series on advice for musicians by musicians. All four videos come from Artists House Music. In the first video, Guy Erez compares working in the music business to running a marathon, because focus, stamina and determination based on a deep desire to be in the music industry are all required just to survive, and even then you may not ever make it.

According to Kirk Whalum only musicians that "are called" with a God given talent should be in the business. And the only way they will make it is if 1) they are serious about their music and 2) they are "doing their thing very, very well."

Here, Brad Wavra, maintains that passion, discipline, patience and persistent are all critical to making it in the music industry. He suggests that if you don't possess those qualities than you should do something else.

Lastly, Alan Ett suggests that you have to believe in yourself and keep an open mind about your role in the industry, as there are so many things one can do in the music business. So, if you don't make it as a musician, maybe you could still work in the industry you love doing doing something different.

I hope you found these videos helpful. At the very least, they should have been inspiring. As always, I welcome your comments. Peace.

Advice for Indie Musicians, Part 1:

I've pulled together three brief videos from Fett, Technology Editor for Performing Songwriter magazine and Co-Founder of the Azalea Music Group in Nashville, Tn. that offer some quick practical advice for indie musicians. The first one talks about how to submit your demo to the press: